Essays, Commentaries, Jottings, Photography – In the Light of Sri Aurobindo
Photos by Suhas Mehra, text by Beloo and Suhas Mehra Continued from Part 4 "Man's seeking after beauty reaches its most intense and satisfying expression in the great creative arts, poetry, painting, sculpture, architecture, but in its full extension there is no activity of his nature or his life from which it need or ought... Continue Reading →
Author: Beloo Mehra (2020). Published under the title ‘When Young India Awakes’ in Sri Aurobindo’s Action, Vol. 51 (1), January 2020, pp. 8-10 CONTINUED FROM Part 11 When Young India Awakes CHAPTER XI - continued For a few minutes, Yuvaan just stood there. In awe. He was completely rested and feeling fresh after the nice... Continue Reading →
Photos by Suhas Mehra, text by Beloo and Suhas Mehra Continued from Part 3 "To use the terms of Indian philosophy, most art expresses the play of Prakriti; Buddhistic art in its most characteristic creations expresses the absolute repose of the Purusha; Hindu art tends to combine the Purusha and Prakriti in one image." (Sri... Continue Reading →
Photos by Suhas Mehra, text by Beloo and Suhas Mehra Continued from Part 2 "The further you go back in time the greater the grandeur you meet in the conception. The nearer you come to our time the more the art becomes great in detail. Even up to the time of the Delvada Temples something... Continue Reading →
Photos by Suhas Mehra, text by Beloo and Suhas Mehra Continued from Part 1 “The temple means religious feeling, worship, adoration, consecration.”(Sri Aurobindo, CWSA 30:181) Virupaksha Temple - Meeting the Gods on the Outside Walls We are still outside the Virupaksha temple, also known as Lokeswara Mahasila Prasada named after Lokamahadevi, the queen who commissioned... Continue Reading →
Photos by Suhas Mehra, text by Beloo and Suhas Mehra “…everyone who has at all the Indian spirit and feeling, can at least give some account of the main, the central things which constitute for him the appeal of Indian painting, sculpture and architecture.” (Sri Aurobindo, CWSA, 20: 261) Pattadakal Temple Complex After Aihole and... Continue Reading →
Author: Beloo Mehra (2019). Published under the title ‘When Young India Awakes’ in Sri Aurobindo’s Action, Vol. 50 (12), December 2019, pp. 8-10 CONTINUED FROM Part 10 When Young India Awakes CHAPTER X – continued “A day may come, must surely come, we will say, when humanity will be ready spiritually, morally, socially for the... Continue Reading →
Author: Beloo Mehra (2019). Published under the title ‘When Young India Awakes’ in Sri Aurobindo’s Action, Vol. 50 (11), November 2019, pp. 8-10 CONTINUED FROM Part 9 When Young India Awakes CHAPTER IX - continued Yuvaan and Rishi had been chatting about this and that for more than an hour when Rishi’s host, one middle-aged... Continue Reading →
The Avatar "The crisis in which the Avatar appears, though apparent to the outward eye only as a crisis of events and great material changes, is always in its source and real meaning a crisis in the consciousness of humanity when it has to undergo some grand modification and effect some new development. For this... Continue Reading →
Photos by Suhas Mehra, text by Beloo and Suhas Mehra Continued from Part 2 Having spent some time exploring the Badami rock-cut cave temples 1, 2 and 3 in our earlier posts we now move to the last and the smallest of the four caves. Cave 1 is dedicated to Lord Shiva, caves 2 and... Continue Reading →
