Hampi Continues to Live – Part 5

Continued from Part 4 Sri Krishna Temple After a tour of the remarkable Vittala temple in previous part, we now move on to another masterpiece, the Krishna temple of Hampi. The Krishna temple at Hampi -- which is now in ruins, though some renovations were underway when we visited --  was built by King Krishnadevaraya... Continue Reading →

Hampi Continues to Live – Part 4

Continued from Part 3 Vijay Vittala Temple   "Spirituality is indeed the master-key of the Indian mind; the sense of the infinite is native to it." (Sri Aurobindo, CWSA, 20: 6)   In our last part we wrote about Virupaksha Temple, situated on the banks of Tungabhadra River. Vijaya Vittala temple is north east of... Continue Reading →

Hampi Continues to Live – Part 3

Continued from Part 2   Virupaksha Temple   On the banks of Tungabhadra River is the Virupaksha temple, dedicated to God Shiva, known in this area as Virupaksha, the consort of the local goddess Pampadevi. This is the oldest and the principal temple in Hampi. It is believed to be functioning uninterruptedly ever since the 7th... Continue Reading →

Hampi Continues to Live – Part 2

Continued from Part 1   A Walk on Hemakuta Hilltop   We began exploration of Hampi at the Sasivekalu Ganesha Temple, located on the Hemakuta Hill. As the story goes, one day, Lord Ganesha, being very fond of food, ate so much that he got concerned that his tummy might burst. So he caught a snake... Continue Reading →

Hampi Continues to Live – Part 1

  In this several-part series, we relive a few moments from our recent trip to Hampi and surrounding areas. The pictures and the accompanying words weave a story of this magnificent city which continues to hold a prominent place in the Indian collective memory since ancient times. The place associated with Shiva and Parvati, Rama... Continue Reading →

Hare Krishna

A special offering for Krishna Janamashtami  -- my humble attempt to capture in photographs a few expressions of the Divinity and the Divine Personality of Sri Krishna. Hopefully these photographs do some justice in expressing some of the essence of the magnificent passage from Sri Aurobindo's Letters on Yoga. -- Suhas     "Krishna consciousness... Continue Reading →

Sambhavami Yuge Yuge – Part 3

CONTINUED FROM PART 2 In this part 3 (the concluding part) of our special photo-feature the focus is on Chapter 11 of the Bhagavad Gita, विश्वरूपदर्शनयोगः (viśvarūpadarśanayogaḥ), The Yoga of the Vision of the World-Spirit. Here we find one of the most powerfully poetic passages of the Gita, the vision of the Vishwaroopam, the Universal Purusha. With our... Continue Reading →

Sambhavami Yuge Yuge – Part 2

CONTINUED FROM PART 1 In this part 2 of our special photo-feature the focus is on a few selected teachings from the Bhagavad Gita that speak of the Karmayoga, the Yoga of Works. Invoking the grace of Sri Krishna and taking guidance from the relevant explanations and passages from Sri Aurobindo’s ‘Essays on the Gita’ we present here a few summary notes – based... Continue Reading →

Sambhavami Yuge Yuge – Part 1

"...the colloquy at Kurukshetra will yet liberate humanity." (Sri Aurobindo) The Bhagavad Gita brings to us the essence of all the experiences and teachings found in the Upanishads and Vedas. Just as the Upanishads mark a culmination or fruition of Vedic knowledge, the Gita is considered as another grand synthesis of all Upanishadic and Vedic... Continue Reading →

Kolam: Computing and Cosmology within Indian Art (by Shivoham) – Conclusion

  CONTINUED FROM PART 2 Cosmology of the Sacred Kolam Why do Tamil women draw Kolams daily at the threshold of their homes? Why not do something else? Such questions and an explanation from a western universal perspective may be found elsewhere. In this article, I present an alternative point of view from my Indian perspective. Menon's article also has... Continue Reading →

Kolam: Computing and Cosmology within Indian Art (by Shivoham) – Part 2

  CONTINUED FROM PART 1 History of Kolam Creating paintings on a natural surface has a really ancient history in India, as evidenced by the Bhimbetka frescoes that are at least 15, 000 years old.  This news article [2] talks about the use of Rangoli in the Mahabharata, while another forum mentions the design in the Ramayana. Other floor designs, such as the endearing floor... Continue Reading →

Kolam: Computing and Cosmology within Indian Art (by Shivoham) – Part 1

  An attempt, a drawing half-done is the world's life; Its lines doubt their concealed significance, Its curves join not their high intended close. Yet some first image of greatness trembles there, And when the ambiguous crowded parts have met The many-toned unity to which they moved, The Artist's joy shall laugh at reason's rules;... Continue Reading →

Up ↑

%d bloggers like this: