Essays, Commentaries, Jottings, Photography, Videos – In the Light of Sri Aurobindo
A special offering for Krishna Janamashtami -- my humble attempt to capture in photographs a few expressions of the Divinity and the Divine Personality of Sri Krishna. Hopefully these photographs do some justice in expressing some of the essence of the magnificent passage from Sri Aurobindo's Letters on Yoga. -- Suhas "Krishna consciousness... Continue Reading →
CONTINUED FROM PART 2 In this part 3 (the concluding part) of our special photo-feature the focus is on Chapter 11 of the Bhagavad Gita, विश्वरूपदर्शनयोगः (viśvarūpadarśanayogaḥ), The Yoga of the Vision of the World-Spirit. Here we find one of the most powerfully poetic passages of the Gita, the vision of the Vishwaroopam, the Universal Purusha. With our... Continue Reading →
CONTINUED FROM PART 1 In this part 2 of our special photo-feature the focus is on a few selected teachings from the Bhagavad Gita that speak of the Karmayoga, the Yoga of Works. Invoking the grace of Sri Krishna and taking guidance from the relevant explanations and passages from Sri Aurobindo’s ‘Essays on the Gita’ we present here a few summary notes – based... Continue Reading →
"...the colloquy at Kurukshetra will yet liberate humanity." (Sri Aurobindo) The Bhagavad Gita brings to us the essence of all the experiences and teachings found in the Upanishads and Vedas. Just as the Upanishads mark a culmination or fruition of Vedic knowledge, the Gita is considered as another grand synthesis of all Upanishadic and Vedic... Continue Reading →
CONTINUED FROM PART 2 Cosmology of the Sacred Kolam Why do Tamil women draw Kolams daily at the threshold of their homes? Why not do something else? Such questions and an explanation from a western universal perspective may be found elsewhere. In this article, I present an alternative point of view from my Indian perspective. Menon's article also has... Continue Reading →
CONTINUED FROM PART 1 History of Kolam Creating paintings on a natural surface has a really ancient history in India, as evidenced by the Bhimbetka frescoes that are at least 15, 000 years old. This news article [2] talks about the use of Rangoli in the Mahabharata, while another forum mentions the design in the Ramayana. Other floor designs, such as the endearing floor... Continue Reading →
An attempt, a drawing half-done is the world's life; Its lines doubt their concealed significance, Its curves join not their high intended close. Yet some first image of greatness trembles there, And when the ambiguous crowded parts have met The many-toned unity to which they moved, The Artist's joy shall laugh at reason's rules;... Continue Reading →
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